Acting

Telling stories has fired my imagination since I was a young dancer/actress in the Midwest. On my first trip to New York, I auditioned for and landed the part of swing girl (chorus understudy) in the Broadway musical The Rothschilds, which led to an exciting, if nail-biting, entry into the professional theatre. Since then I’ve performed at the Long Wharf Theatre, The Public Theatre, BACA Downtown, New York Theatre Workshop, the Williamstown Theatre Festival, and Living Room Theatre, among many others.

Above image: Frank, Frank, Written and directed by Randolyn Zinn

A Doll’s House, Part 2

by Lucas Hnath at Living Room Theatre, 2022

Nominated Outstanding Actress in a Leading Role, The Berkshire Theatre Critics Association

Zinn makes Nora her own. This requires dexterity and competence of the highest levels in the craft, and Zinn has both in droves, all while floating across stage with the grace.
— Telly Halkias, American Theatre Critics Association
The pool’s surface, however, belongs to Randolyn Zinn. Her portrayal of the mature, immature Nora is a lengthy joyride of acting. This is more than a performance; it is a performance of a performance, a struggle for any actress brought to active life in this swimming pool of human natures.
— Peter Bergman, The Berkshire Edge, July 2021

 Performances

Show / Character / Production

 

 

Constellations / Marianne / Living Room Theatre

A Doll’s House, Part 2 / Nora / Living Room Theatre

(Irish) Three Sisters / Marianne (Masha) / Living Room Theatre

The Fourth Woman / Sue / BACA Downtown

Entr’acte Music Hall / Dame Strindshaw / LRT

What Comes Next / She / BACA Downtown

Frank, Frank / Frankie / New Georges

Portrait of Frida / Frida / Williamstown Theatre Festival

To See If I Could See Her / Me / New York Theatre Workshop

The Death of Mrs. Beaton / Mrs. Beaton / The Public Theater

Article 27 / Worker / Alice’s Fourth Floor